Stuck In Time

I've been feeling stuck lately. Writer's block? That would be the easy, go to answer if not for some compelling thoughts I've read by Martha Alderson aka The Plot Whisperer on the subject.

"If you find yourself plagued with writer's block, chances are you suffer a deeper malady - procrastination. If you find yourself putting off even starting to write, chances are your malady runs deeper still - perfectionism."

Her words linger as I continue to chart the structure of my novel. The process has brought up a lot of questions, for my characters, as well as for me. In taking time to answer them, I've been thinking about time, namely, how much time I spend writing?

I've never been one to sit and write for hours on end. A euphoric session that lasts a few hours will inevitably be lambasted by sessions of nothingness to boot. But in between these two extremes, I've found a comfort zone of about 1 1/2 hours. It's something to work with but to date, I have not produced a readable manuscript, something that I am willing to hand over and so I ask myself why?

My writing time has been a comfortable space, but has it been too comfortable that I haven't asked anything more from it?  Looking back over the years, I've accrued plenty of words but words alone are not enough to render a story complete. What is the difference that some writers can churn out a tale in one, two or three years time while another writer requires ten?

The bones of my story are currently posted on my wall. I imagine the work that follows to be an easy game of connect the dots until I spy something more glaring looking back at me. For all my hours of writing, my story still stands incomplete. In some cases, I have not written my story as much as I have written around the details of it. I can follow the lines till suddenly, the energy falters. Something stops me and I find myself willing to only circle the outer edges of some chapters. Is there such a thing as procrastination-in-motion, the equivalent to spinning one's wheels?

As I said, writer's block would bave been the easy, go to answer if not for the obvious tracks I leave behind. I know some circles aren't worth repeating but now, it seems even time begs for something more. 

Laurence Durrell said, "It takes a lot of energy and a lot of neurosis to write a novel. If you were really sensible,you'd do something else." Are you feeling sensible today?

Hello, My Name Is...

Writers are an interesting bunch. Some of us will never admit to the title of "writer". Perhaps the fear that one day someone will call us out on it feels too great? Still others adopt a host of other tags to define themselves and all that they do on the page.  You know what I'm talking about.

Plotter, panster, left brainer, right brainer, tell me, what does your badge say? To be fair, my blogger occupation is currently listed as wordsmith.

We all hold up signs looking to connect with other like minds. There's a comfort in meeting people who think as we do, but wouldn't we do better to step outside of our boxes?

One can always make the argument that you learn as you go, but at some point you have to concede that your way is not always the best way. That was my thinking recently when I hit yet another snag with my revisions.

For all my pride of being a pantser, a right brain extraordinaire, I had to admit that I was feeling lost, disconnected from my protagonist. I was feeling the need for some structure that only thinking like a plotter could bring. It's not that I was incapable of such mapping detail, just that such a process was never mine or ever needed for me to write...until now.

Putting aside my manuscript, I started delving into some plot and structure books. Reading was my new comfort zone. Thankfully, it didn't take long before I hit gold with Martha Alderson's, "The Plot Whisperer" - a big thank you to Debbie for sharing Martha's You Tube Series! 

Martha knows writers. She speaks the lingo and knows all the excuses, hangups and reasons for which side of the brain fence we roam. She recognizes the divide but also takes some time to explain what we stand to lose when we write with only half a brain. Martha encourages writers to explore both sides of their mind, the analytical, detail oriented, language driven left as well as the intuitive, big picture, character and emotion driven right. It might not be easy for all but she makes a compelling argument that "balance serves a story well".

So now I am working on this dual system of writing and plotting my story. I've surrounded myself with plot planners, bubble diagrams and scene trackers. I've asked questions about dramatic action and considered my character's emotional development. All in all, I am moving forward once again and it feels good. The best part, my mind is full of ideas.

Plotter or Pantser? Yes and yes, but WRITER suits me best.


Have you bridged the gap between plotter and panster? What's the biggest writing challenge you've had to face?